/// Dulce Chacón ///

Untitled

user1 — Mon, 01 Oct 2012 13:06:56 +0000

Video projected on drawing, 02:07 min., 2011

http://www.youtube.com/watch?v=KLQIe72UaZs

Drawing [a] live

user1 — Sat, 01 Oct 2011 13:12:19 +0000

Audiovisual Art Festival
30th August 2012, Modern Art Museum, Mexico City
Curated by Erika Gabbani
Mexico 2012 Curator Clarisa Moura
Production Vértigo Galería (MEX) and Nasonero (ITA)

http://www.drawingalive.net/2012/mexico/

Live Drawing using a projection on the painting of artist Enrique Guzmán (Guadalajara, 1952 – Aguascalientes, 1986)

To see video Click http://vimeo.com/51707929

HOMENAJE A LA FOTOGRAFÍA
ÓLEO/ TELA
120 X 70 cm.
1972

Pintor tapatío considerado uno de los más importantes representantes del realismo de las décadas de 1960 y 1970. En 1966, se traslada a la ciudad de Aguascalientes. Ingresa al taller de teatro de la Casa de Cultura, y posteriormente al de pintura, donde recibe clases de Alfredo Zermeño. Estudió en la Escuela Nacional de Grabado, Pintura y Escultura “La Esmeralda”. Su obra se caracteriza por proyectar depresión compulsiva, por una fijación hacia las navajas, la playa y la bandera, aunque sus obras también se caracterizan por la proyección constante de figuras femeninas, los zapatos, habitaciones solitarias, laberintos mentales y profunda tristeza.

Final drawing- Astronauts, Ink on paper

Final drawing- Hermanas, Ink on paper

Final drawing- Maternidad, Ink on paper

Rehersal at Modern Art Museum

Drawing at night Modern Art Museum, with Dr. Alderete

Finishing drawings

Hasta Mostla

user1 — Sat, 01 Oct 2011 13:11:02 +0000

La Decadencia, 2012, embroidery on cotton fabric

El Verdugo, 2012, embroidery on cotton fabric

El anunciador, 2012, embroidery on cotton fabric

La locura, 2012, embroidery on cotton fabric

La Peste, 2012, embroidery on cotton fabric

Installation view at Centro Cultural de España, Mexico City.

Teabags

user1 — Sat, 01 Oct 2011 13:08:46 +0000

Graphic documentation about a daily action, each drawing was made on the same time of drinking a cup of tea.
Some of the drawings were sent as postcards to Mexico from United Kingdom in a period of 3 months- October, November, December of 2010.

60 drawings, Ink and black tea on paper, 11.7 X 16.9 cm, 2010-2011

Ironbridge Birthplace of Industry

user1 — Sat, 01 Oct 2011 13:07:48 +0000

Graphic project that explores the projection of reality, through the way a place is imagined before meeting. The fictitious drawings were made from a written description.
The process, in which the original sketches were transferred to a different paper using magic tape, represents the action of remember a site, visualizing their general aspects without specific details.

Untitled, graphite and magic tape on paper, 10.5 X 16, 2010

Untitled, graphite and magic tape on paper, 12 X 16 cm, 2010

Untitled, graphite and magic tape on paper, 25.5 X 35.5 cm, 2010

Untitled, Watercolor, 29.7 X 40.5 cm, 2010

Miami vista desde…

user1 — Sat, 01 Oct 2011 13:07:12 +0000

Miami vista desde…, 2012

Miami es un sitio que conozco a pesar de nunca haber estado ahí, su imagen en mi mente ha sido conformada por lo que he visto en fotos, películas, programas de televisión, periódicos y revistas. Esta circunstancia me ha hecho cuestionarme acerca de cómo lo puedo identificar sólo por su apariencia, cómo es que mediante pocos datos puedo asegurar que una imagen corresponde a un lugar?.

Miami is a place I know despite I never been there, their image in my mind has been shaped by pictures, movies, TV shows and magazines. This situation provoke to me questions about how can I identified it just by its appearance, How is that throughout some few information I can assure that an image correspond to certain place?

PRACTICA 1

Mediante el proceso del dibujo en el que el boceto inacabado sugiere una imagen, mi propósito es hacer una evocación de la ciudad de Miami estableciendo la posibilidad de describir alguna situación que podría ser vista allí en la observación de lo cotidiano.

Through the drawing process in which the sketch suggest an image, my purpose is make an evocation of the city of Miami establishing the possibility of describing some situation that might be seen on the observation of every day life.

Miami vista desde las sombras que se proyectan, lápiz y tinta sobre papel, 20 X 25 cm

Miami vista desde las escaleras, lápiz y tinta sobre papel, 20 X 25 cm

Miami vista desde el monolito, lápiz y tinta sobre papel, 20 X 25 cm

Miami vista desde la antena, lápiz sobre papel, 20 X 25 cm

Miami vista desde la azotea, lápiz sobre papel, 20 X 25 cm

Miami vista desde las palmeras, lápiz y tinta sobre papel, 20 X 25 cm

Miami vista desde la mirada dirigida, lápiz sobre papel, 20 X 25 cm

Miami vista desde el lavabo, lápiz sobre papel, 20 X 25 cm

Miami vista desde su oscura presencia, lápiz y tinta sobre papel, 20 X 25 cm

Miami vista desde las velas del pastel, lápiz sobre papel, 20 X 25 cm

Miami vista desde los lugares vacíos, lápiz sobre papel, 20 X 25 cm

Miami vista desde la hora del desayuno, lápiz sobre papel, 20 X 25 cm

Miami vista desde la caída libre, lápiz y tinta sobre papel, 20 X 25 cm

PRACTICA 2

Describir una imagen desde distintas perspectivas.
Cada texto es una lista de situaciones que corresponden a una imagen particular.
14 textos, tinta sobre papel, 20 X 25 cm, 2012

Describe an image from several perspectives.
Each text is a list of situations that correspond to an image.
14 text, ink on paper, 20 X 25 cm, 2012

Kit de supervivencia artística

user1 — Sat, 01 Oct 2011 13:05:03 +0000

A David Hurstel project, Kit de supervivencia Artística , is a production project and collective debate starting with different actions always related with survive. Each work reflect the personal point of view of his or her creator about surviving in an economic, spiritual or artistic way.
My proposal was based on memories and it is a graphic testimony worked as ideograms that document my identity.

Taxonomist legitimizing human template…, ink and thread on paper, 14 X 18.7 cm, 2009

Special team rehearsing tactical amnesiac…, ink and tape on paper, 14 X 19 cm, 2009

Probable candidates waiting for paid audience…, ink on paper, 14 X 19.2 cm, 2009

Plumbers demonstrating the empty subject…, ink and thread on paper, 14 X 19 cm, 2009

Inquisitors privileging eyewitness…, ink on paper, 14 X 18.7 cm, 2009

Glorious organisms pacifying time buyers…, ink and tape on paper, 14 X 19 cm, 2009

Cosmetologist optimizing the shades…, ink on paper, 14 X 19.2 cm, 2009

Audio visual thinkers processing flocks…, ink and black tea on paper, 14 X 18.7 cm, 2009

Sueño en ASCII

user1 — Sat, 01 Oct 2011 13:04:43 +0000

http://www.youtube.com/watch?v=_lcOeazPu_E

Permanent marker on wall, 3.40 X 4.20 m, Centro Cultural Border, Mexico City, 2008

Confección de uno mismo

user1 — Sat, 01 Oct 2011 13:03:49 +0000

Graphic project that develop affective and emotional maps from memories of life experiences. At the same time is an experimentation of methods to approach drawing on a non- traditional way.

Untitled, permanent marker on paper, 34.5 X 24.5 cm, 2008

Semana Santa, permanent marker on paper, 34.5 X 24.5 cm, 2008

Roots, permanent marker on paper, 34.5 X 24.5 cm, 2008

Rollerbirds, permanent marker on paper, 34.5 X 24.5 cm, 2008

Moose, permanent marker on paper, 34.5 X 24.5 cm, 2008

Av5n55, embroidery on fabric, 45 X 48 cm, 2008

Conexión, embroidery on fabric, 46 X 64.5 cm, 2008

Ibalu, embroidery on fabric, 77 X 112 cm, 2008

Untitled, embroidery on fabric, 60 X 45 cm, 2008

Catálogo Inmediato

user1 — Sat, 01 Oct 2011 13:02:14 +0000

2000-2007

Modelo 3492, ink on post-it paper, 19 X 27 cm, 2000

Modelo 5002, ink on post-it paper, 19 X 27 cm, 2002

Modelo 4923, ink on post-it paper, 19 X 27 cm, 2002

Hawai, crayon on post-it paper, 224 X 213 cm, 2004

Bombai, crayon on post-it paper, 224 X 213 cm, 2004

Modelo P, crayon on post-it paper, 77 X 160 cm, 2004

Modelo 737, crayon on post-it paper, 126 X 280 cm, 2007